Homer is so much at home among his gods and is as a poet so good natured to them that he must have been profoundly irreligious. That which was brought to him by the popular faith—a mean, crude and partially repulsive superstition—he dealt with as freely as the Sculptor with his clay, therefore with the same freedom that Æschylus and Aristophanes evinced and with which in later times the great artists of the renaissance, and also Shakespeare and Goethe, drew their pictures.