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No Money, No Talk!
No Body, I Talk!

“No Money, No Talk, No Body I Talk” is a long-term collaborative effort between Racelar Ho, Dragon Zheng, and Zhi’ai Chen. It contains a disorienting, disordering, non-linear, chaotic, irrational, and self-contradictory space-time, presenting an imaginative-based, self-reflective image of the past, present, and future relationship between humans and machines. This universe stems from pre-human time-space to post-human time-space: pre-human era, modern time, contemporary, self-refection&imaginary rebirth, and imaginative utopia future.

Note:

For a better experience, please use Firefox to visit this page. Some browsers would fail to load the embed component (Mozilla Hub) above, or some media components in the Mozilla Hub would fail to load. You can directly enter the room by clicking the bottom listed below.

Artists

AI Philosopher:
Pre-human Anthropology

AI Philosopher's Interface Syndrome

AI Philosopher's Electronical Biology

AI Philosopher's Bit Post-human

AI Philosopher's Ouch, got bitten!

AI Philosopher:
"No Money No Talk, No Body I Talk!"

UPCOMING EXHIBITIONS

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RE[NEW]ALL

a Sensorium exhibition for The Society for Literature, Science, and the Arts (SLSA) Annual Conference

Exhibition Time    30 Sept - 2 October, 2021

Re[new]all explores the creative ecologies of matter and energy. The exhibition begins from a position of discomfort, of the sensory (dis)pleasures of our virtual modes of existence to explore themes of creative worldbuilding, virtual scenographics and adaptation within the renewed hybridity of online/offline environments. Hosted entirely in purpose-built Mozilla Hubs 3D “rooms,” the project features work by artists and researchers affiliated with Sensorium.

The exhibition Re[new]All is held as an inaugural partnership between Sensorium and the Stamps School of Art and Design at the University of Michigan. The project is an exhibition in virtual space that provides a cultural context to the public health crisis that we have all experienced this past year. The presented works are diverse and focus on artists that are marginalized, or approach topics of marginalization in their work, such as digital artworks and stories that explore the interconnections between Anishinaabeg ontologies and microscopic imagery, and others that explore Asian Futurist Diasporic aesthetics. The exhibition is also supported by other academic units such as VISTA, YCAR, Robarts Centre for Canadian Studies, Betaspace and the AMPD Makerspace.

Copyright ©2017-2024 Racelar Ho.   All rights reserved. 

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